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Simon Piler and the Atom Band

by Simon Piler and The Atom Band

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1.
when you feel a change, now, children, look around you. on the ground you place your feet you may need to make a stand. this is the time for the gentle, hardy, person, DO NOT BE FOOLED! If you think you’re right, please think again.
2.
3.
Blue pants, green shirts, The Sewer Saints arrive. Their leader is a cruel man. I look him in the eyes. and I said, “This is the flute that will call your death! There is no denying.” People seemed both awed, confused as I held out the prize. “I give it to you as a gift.”
4.
exit reality and turn left, off the dock nearby (under a pinkish sky,) are some people you perhaps remember: “Grandmother! Grandfather! Great-Uncle,” and a big, bull seal, wearing his club-team jersey he reminds you who he is quickly enough, sinkin’ his teeth in. “I’m The Bull.” as you and your friend wrestle deftly, underwater, in an argument over ‘the way you’ve been living your life recently’. “Look,” you had said, moments before, “your Dad’s arm is orange!” A singular appendage in observation, inbetween breaths. Busy with anger or wrestling, your friend is not impressed. Exit reality and turn left. An abyss, capable of charm. Exit reality and turn left! Exit reality and turn left.
5.
6.
big bay 04:06
waves that roll back and forth again back and forth again back and forth again on winds that blow back and forth again back and forth again back and forth again past the bay front where all the microorganisms grow candid rearrangements of all the things that they’re supposed to know. they forget that water is wet and if you tell them, they become frustrated and upset but, can you blame them? they love us so, clappin’ their hands together clappin’ their hands together clappin’ their hand together they tell us so, movin’ their lips together movin’ their lips together movin’ their lips together. at low tide thoughts remind that you’re surprised by things you find.
7.
I’m The Cracker Cowboy and I ride the horse (to round up cows, of course.) I’m a cracker cowboy and here I live, in central Florida. Oh, I find those dogs, bring ‘em home just because I’m a cracker cowboy. well, you may see me on my horse, (ridin’ through the clouds, of course) I lived one-hundred fourty years ago. ‘round here, there’s a bar. you can dance, it ain’t real far. wear my spurs. tip my hat. ‘cuz I’m a cracker cowboy. some other cowboys moved out West but we stayed where we liked it best. I’m a cracker cowboy, and here I live in central Florida. Say, I may head over to that h-h-honky tonk saloon and tip back a cold drink. Whaddya say, partner?
8.
bird 03:04
onlookers to a snaggy pine see a large bundle of colored yarn and detritus hanging from one of the upper branches of the tree. “certainly ceremonial,” they conclude, and wonder why, without knowledge that the material was placed quickly and with charm by a young woman capable of making an instant connection to another human being by looking a their face and navigating the thin, wooden walls doors and window frames of space. they knew her simply as ‘bird’.
9.
bars 02:58
moths float dark over rapid waters or at the park. they bounce right on the streetlight. what are they doin’ up there, anyway? they’re doing that all night long! if I were a moth so say, I would remark, “float so light down by the park.” And SING! FLAP MY WINGS! play now, minstrels, rise and leap! in turns, the dancers draw the deed like poison from a snake’s bite, deep. the whirling circlers must repeat. pheromones tonight! the band to play but soon, the night will steal away with its soft-eyed lover. they’re hand-in-hand. these stars like moths my lungs complain the dark so deep they’ll lose their way as if it were a trajectory you could calculate in any case.
10.
If I was a scientist, I’d be a skeletologist because I’m always wondering about the relative thicknesses of the bones used for surviving love and the forces and pressures thereon. and, If I was a culinist, I’d probably be a baker, ‘cause I am always pondering how tempered a heart can become to feelings in a hot oven. (and is it any surprise that yeast can make your heart rise?) now, If I worked in publishing, I would be an editor because I’m quick to revise, (quite manually,) perceptions of fear and surprise; for you’ll close my mouth if I open your eyes. (so I won’t.) If I was a musician, I would be a singer hawkin’ words of no interest to you and my voice sounds like it’s mixed with glue. glup, glup.
11.
when you feel a change, children, (this is the time!) look around you. on the ground (this is the time!) you place your feet you may need to make a stand. this is the time (this is the time!) for the gentle, hardy person. (this is the time!) Do not be fooled.
12.
the dark of night when the snow should fly in fleeting flurries that breeze right by a coat of wool upon my arms a shot of whiskey to keep me warm. waltz to the bridge and I’m never coming back and I waltz to the bridge where the tow-trucks glide waltz to the bridge and I’m never coming back and I waltz to the bridge where the tow-trucks glide waltz to the bridge and I’m never coming back waltz to the bridge where the tow-trucks glide waltz to the bridge on that gravel track to find a friend of mine. ride your bike through the dark of night in streetlight flurries that alight unemployed, but so inspired by rolling pavement you desired. if I told you that I loved the coldest day that winter holds you would know that I’m a liar. instead, let’s dance through Autumn’s mire.

about

a cycle of songs from my dream journal.

credits

released July 26, 2009

recorded by Simon Piler at the Miriam House
Frostproof, FL

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Simon Piler Alaska

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Simon Piler and The Atom Band
PO Box 147
Cantwell AK
99729

bluehomerecords (at) protonmail (dot) com

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